“As this was primarily an Academy tour, which all have in-house consoles. I wanted a desk with footprint that would cause the least problems, whilst maintaining the sound and functions I was after,” says Neal. “I had used a CL5 with Professor Green on the Music Cube shows we recently did at London’s Westfield shopping centres and really liked the sound, especially when using the Premium Rack compressors.
“I needed to purchase a console which would drop into the Dante network for the stage and in-ear monitors package that we’ll be using on the summer festivals we are playing in 2015. It was also very important for me to be able to use Waves plug-ins and so, after a conversation with Yamaha’s St
STuart McKay confirmed that there was an off-the-shelf Waves solution available, the decision was made.”
The solution was the WSG-Y16 Waves SoundGrid i/o card, which interfaces with the Waves SoundGrid DSP Server, allowing users to seamlessly run Waves plug-ins with Yamaha digital consoles. In Neal’s case they include the MV2 and PuigChild 660 compressors, C4 multiband compressor, inPhase phase correction and H-EQ hybrid equaliser. Critically, the system ensures that the external processing is done with exceptionally low latency.
“We always have guest vocalists and, given that this is a rap show, all have different microphone techniques. Having my favourite plug-ins on hand makes quick changes very easy,” he says. “Drummer and MD Ricci Riccardi also uses three completely different sounding snares, so I use the plug-ins to maintain a consistent level. This is really handy if I’m dealing with something else when he’s playing one he only uses once or twice during the show.
“Ricci also uses Waves plug-ins on the show and has been a constant source of knowledge, especially in helping me make the move to them a number of years ago.”
With 46 line inputs and outputs covering left, right, left/right aux subs, infills and left/right outfills, the CL5 system also featured a pair of Rio3224-D i/o units. Monitor engineer Geri Colclough was also using a Yamaha console, this time a PM5D-RH.
“When I received the SoundGrid server and the two WSG-Y16 cards I needed, I just jumped straight in,” says Neal. “I upgraded the CL5 firmware and was up and running in about 20 minutes. It was very easy.
“Due to the demands of the show, without the Waves integration I would probably would have gone with a different console. But it’s not just about that – the CL5’s Premium Rack compressors are wicked. I deploy them on all the matrix outs, which is where all the infills are serviced and where we record each night’s show for reference and virtual soundchecking.”
